Blaow Blaow

This week's track is very electronic and driving. It starts out slow, but don't be fooled; steady bass when the beat drops keeps your head bangin! Enjoy!


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Killin' It

This week's track is really cool. It's about five and a half minutes long, but completely worth it. The track starts out with a nice new-school disco build that culminates in a blazing electric guitar solo. And then the track really takes off. The bass that comes in at about 3:20 is so dirty and bassy and funky it's ridiculous. Best bassline featured on this website to date, some might say. Interesting fact about this song: actual beer bottles and pint glasses were used as instruments. Enjoy!


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Falls in Sequence

This week's track starts out with a bubbling synth and string combination. The beat comes in half-time along with an octave based piano melody. This intro builds a lot of space and has a kind of calming effect. This is in complete contrast to the beat drop that is to come. The main synth and bass hook of the song is complex yet catchy, while remaining impossible to replicate. The next breakdown features a building piano and a panned solo bass-type instrument. This one's crazy fun. Enjoy!


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Don't Underestimate

This is crazy funky! Very electro too. The intro keeps it funky and oldschool with quick jumpy bass and spacey sound effects. When the second part of the song comes in it's regal and uplifting, making use of horns and a steady bass line. This is almost a double song, with each part being so different. But the transition ties the parts together so that they remain cohesive. As a bonus this song is full of cool reverb effects and crazy space noises. Enjoy!


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Press OK

This one starts out with some echo-ey synth and some insisting bass. The driving kick, bass, and synth combination eventually escalates until the real drop comes. The true bass synth that comes in is wide and loud. This song is robotic all the way and pulses with energy throughout. It's got some great swelling builds in it too. Enjoy!


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Build Rebuild

This is a fun song that uses very little reverb on the synths, making them precise and cutting. The track is robotic and bouncy. It also features clever toms and pitch bent lead synth lines. Enjoy!


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Orange Light

This one is true electro/house. The track has a build and a drop that just make you want to move. Prominently featured are classic electro slap bass and a quick and incessant repeating synth line. Less prominent, but of equal importance, is the Rhodes piano that lays down the background and foundation for the song to be built upon. Enjoy!


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